Too many repeated methodologies as “Landscape in the mist”. You can create different scenes and shots using the same movie-making techniques but not 80% similar stuff over and over in different movies. I also find the ending part quite cliché and weak.
我更愿意将两个人之间的关系解读为同性因为Remi红色的房间以及导演的多种镜头暗示了这点这是我看过营造儿童心理最细腻的影片之一《景霁》深入骨髓虽然场景切换在一次又一次的课间活动爱好家庭工作之间转换但每一次的感情是完全不同的Leon这个小男孩的演技真的是出神入化打石膏的地方贡献了堪比call me by your name最后一场的神演技失去挚友后的PTSD也如此真实剧本上乘一切都浑然天成太厉害了